Reviews provided by RottenTomatoes
Andrew Sarris, Village Voice: Nichols has actually committed all the classic errors of the sophisticated stage director let loose on the unsophisticated movies. For starters, he has underestimated the power of the spoken word in his search for visual pyrotechnics. Read more
Stanley Kauffmann, New York Times: One of the most scathingly honest American films ever made. Read more
Dave Kehr, Chicago Reader: When Nichols finally settles down, it's almost too late. Read more
James Powers, Hollywood Reporter: The greatest credit for the implacable engagement that the film creates for its audience must go to the director, Mike Nichols. Nichols makes a stunning film bow with Virginia Woolf. Read more
Kate Cameron, New York Daily News: [Taylor] is nothing less than brilliant as the shrewish, slovenly. blasphemous, frustrated, slightly wacky, alcoholic wife of a meek, unambitious assistant professor of history at a university, over which her father reigns as president. Read more
Dwight Garner, Salon.com: 'You have ugly talents,' George says, almost admiringly, to Martha. So does this movie. Read more