Reviews provided by RottenTomatoes
Rene Rodriguez, Miami Herald: The film's clear and informative exploration of the collusion between the private sector and government agencies, along with the auto giants' wielding of their financial power to sway legislature, can't help but raise the viewer's ire. Read more
Michael Wilmington, Chicago Tribune: A wondrous tale with an infuriating ending (at least so far). Read more
Jonathan Rosenbaum, Chicago Reader: Chris Paine's documentary about General Motors' development and withdrawal of the innovative, environment-friendly EV1 automobile is bound to reverberate with anyone who's fallen in love with a product only to see it irrevocably yanked from the market. Read more
Joe Morgenstern, Wall Street Journal: Fascinating. Read more
John Hartl, Seattle Times: Like An Inconvenient Truth and Enron: The Smartest Guys in the Room, the movie is ultimately a nonpartisan warning. Read more
Richard Roeper, Ebert & Roeper: Thumbs up ... Read more
Nathan Rabin, AV Club: Writer-director Chris Paine offers many things: a stinging critique of the car industry's short-sightedness and lust for profits, a plea for greater public awareness of alternative energies, and an elegy for a sweet little electro-car called the EV1. Read more
Bill Muller, Arizona Republic: An entertaining if slightly skewed documentary about the short life and early death of General Motors' EV1. Read more
Ty Burr, Boston Globe: Fierce, deftly entertaining work of muckraking journalism. Read more
Amy Biancolli, Houston Chronicle: It posits a necessary question in these days of ever-burgeoning oil prices and ever-shrinking supply, and it offers distressing insights into the corporate American mindset. Read more
Lisa Kennedy, Denver Post: A spirited celebration of the deceased can honor the lost opportunity even as it challenges the living, breathing, concerned survivors to demand more from corporations, government, ourselves. Read more
Tom Long, Detroit News: Depressing and hugely important. Read more
Entertainment Weekly: Who Killed the Electric Car? makes you angry, and also sad, to live in a country where innovation could be contrived into an enemy. Read more
Owen Gleiberman, Entertainment Weekly: Read more
Terry Lawson, Detroit Free Press: Runs efficiently on its own energy and sincerity, which makes it not unlike the car it mourns. Read more
Jennie Punter, Globe and Mail: Cynical bike riders may well snicker at scenes of car-lovers behaving like tree-huggers, but Paine effectively builds the viewer's affection for EV1, so the removal of the cars works as the film's climactic moment. Read more
David Germain, Associated Press: It's a lively, informative whodunit about an energy-efficient vehicle that debuted with fanfare and died with a whimper. Read more
Judith Lewis, L.A. Weekly: A laudably complicated, if emotional and a little comic-book goofy, story. Read more
Lisa Rose, Newark Star-Ledger: In many ways, the movie is superior to An Inconvenient Truth, with more journalistic balance than the Al Gore global warming film. Read more
Jack Mathews, New York Daily News: Certainly makes the case that if the electric cars were available today in mass quantities at competitive prices, they would sell like Girls Gone Wild videos. Read more
Roger Moore, Orlando Sentinel: ... an entertaining but sometimes disingenuous documentary ... Read more
Andrew O'Hehir, Salon.com: It's liable to get people hopping mad, whether or not they buy Paine's overarching conspiracy theory. Read more
Mick LaSalle, San Francisco Chronicle: A balanced examination of the reasons for the electric car's disappearance. Read more
Colin Covert, Minneapolis Star Tribune: Filmmaker Chris Paine's postmortem on the EV1s doesn't answer all our questions, but it is reasonably evenhanded and quite entertaining. Read more
Bill Stamets, Chicago Sun-Times: Energetic documentary that efficiently ridicules GM for scrapping its electrical vehicle line. Read more
Geoff Pevere, Toronto Star: Paine's disarmingly impassioned movie sees nothing but short-term sinister interests behind the forced disappearance of a viably long-term solution. Read more
Richard Corliss, TIME Magazine: Chris Paine's documentary makes an unapologetic case for the car and an unofficial indictment of the forces allied against it. Read more
Jessica Winter, Time Out: Paine is preaching to the choir, but the sermon should be heard nonetheless. Read more
Robert Koehler, Variety: No amount of last-reel optimism will cool the anger of progressive-minded auds. Read more
Rob Nelson, Village Voice: Another few of these squandered opportunities for art-house muckraking and we'll need someone to ask who killed the left-wing documentary. Read more
Stephen Hunter, Washington Post: A lot of the film is illuminating; a lot of it is pointless. Read more