Ultimo tango a Parigi 1972

Vincent Canby, New York Times: The movie is sad, but it's also hugely funny, occasionally when it doesn't mean to be. Read more

Dave Kehr, Chicago Reader: The operatic extravagance of Bernardo Bertolucci's style has emerged more clearly since this 1972 drama, which still managed to seem vaguely naturalistic in the midst of its extravagant camera moves and eccentric construction. Read more

Roger Ebert, Chicago Sun-Times: The look, feel and sound of the film are evocative. Read more

Dave Calhoun, Time Out: It's Brando's film: his monologues devastate. Read more

Variety Staff, Variety: An uneven, convoluted, certainly dispute-provoking study of sexual passion in which Marlon Brando gives a truly remarkable performance. Read more