Reviews provided by RottenTomatoes
Farran Smith Nehme, New York Post: Director Stephane Lafleur shoots in black and white with a sure and delicate eye. Read more
A.A. Dowd, AV Club: Mostly, I connected to its gentle melancholy, the sense of a life changing in almost imperceptible ways. Read more
Stephen Holden, New York Times: Martin is as desperate to grow up as Nicole is reluctant to take the next step. Both are at a crossroads that this wonderful, lighter-than-air movie depicts as a major turning point. Read more
Liam Lacey, Globe and Mail: The night scenes are particularly resonant, mixing humour, suspense and textured visuals. This is the kind of film dream from which you feel reluctant to wake. Read more
Peter Howell, Toronto Star: Tu Dors Nicole accurately recreates that feeling of youth when the summer seemed like it would last forever. As the French say, it's tres drole. Read more
Bilge Ebiri, New York Magazine/Vulture: Lafleur's film is a quiet trifle that sneaks up on you, like a pleasant dream you might have and then gradually forget. Its very slightness is its greatest weapon. Read more