The Mummy 1932

Andre Sennwald, New York Times: The photography is superior to the dialogue. Read more

Dave Kehr, Chicago Reader: The drama may be clumsy, but Freund's lighting is a wonder. Read more

TIME Magazine: Thoroughly unreasonable hocus-pocus. Read more

Geoff Andrew, Time Out: A sombre and atmospheric depiction of eternal passion and occult reincarnation. Read more

Variety Staff, Variety: The transformation of Karloff's Im-Ho-Tep from a clay-like figure in a coffin to a living thing is the highlight. Read more