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Philip Wuntch, Dallas Morning News: When The Haunting finally limps to its conclusion, you may feel like booing the screen. Read more
Janet Maslin, New York Times: A lavish illustration of how to take a fairly modest black-and -white horror film from 1963 and amplify it so relentlessly that the sight of the flying cow in Twister would not be all that amiss. Read more
Kenneth Turan, Los Angeles Times: Read more
Jeff Millar, Houston Chronicle: The actors are basically helpless with this. Read more
Lisa Schwarzbaum, Entertainment Weekly: Worse than awful! Read more
Peter Rainer, New York Magazine/Vulture: Read more
Roger Ebert, Chicago Sun-Times: To my surprise, I find myself recommending The Haunting on the basis of its locations, its sets, its art direction, its sound design, and the overall splendor of its visuals. Read more
Stephanie Zacharek, Salon.com: A mess, a jumble of fancy special effects that are supposed to be scary but are really just fancy, further decorated with dribbles of dialogue, most of which are unintentionally hilarious. Read more
Mick LaSalle, San Francisco Chronicle: The only thing scary about the new version is realizing that someone keeps giving director Jan De Bont money to make movies. Read more
J. Hoberman, Village Voice: Read more
Desson Thomson, Washington Post: The characters are on the dramatic equivalent of Death Row. Read more