Reviews provided by RottenTomatoes
Wesley Morris, Boston Globe: This movie wants to cover every base without thinking very deeply about them. So while a lot of ground is covered in 80 brisk minutes, the information presented is only abstractly useful. Read more
Kenneth Turan, Los Angeles Times: The End of the Line is an apocalyptic documentary that is as beautiful as it is damning. Read more
Owen Gleiberman, Entertainment Weekly: This passionate ecological documentary, The End of the Line, spells out the problem in clear, urgent, prosaic terms. Read more
V.A. Musetto, New York Post: Except for lush underwater shots, the movie is dry and preachy. And it would not have hurt to give the other side a chance to respond. Read more
Carrie Rickey, Philadelphia Inquirer: The End of the Line, an eco-mentary that warns against overfishing, baits its hook with alarmist rhetoric and aversion therapy. Read more
Roger Ebert, Chicago Sun-Times: The End of the Line documents what threatens to become an irreversible decline in aquatic populations within 40 years. Read more
Colin Covert, Minneapolis Star Tribune: With commendable clarity, it lays out the data. Read more
Liam Lacey, Globe and Mail: Another day, another film about environmental collapse. Read more
Jason Anderson, Toronto Star: It's hard not to feel that the vital information in The End of the Line may have been more effectively relayed by Clover's original book or by a movie whose methods were less pedantic and pedestrian. Read more
Nicolas Rapold, Time Out: Through graph-wielding scientists, picturesque seascapes and Ted Danson's voiceover, director Rupert Murray lays out the facts about the ongoing decimation of world fishing stocks, which could mean the end of tuna as we know it. Read more
Derek Adams, Time Out: The poignant facts and figures are offered by a host of likeable marine scientists, local fishermen and activists. Read more
Aaron Hillis, Village Voice: The End of the Line is a free-form splash of jaw-dropping graphs, impressively accredited talking heads, and sumptuously shot portraits of natural beauty and decay, overdramatically scored to symphonic and other intense musical attacks. Read more
Desson Thomson, Washington Post: If the tone is occasionally off-putting, the message -- at least, the facts about the fish -- is harder to shrug off. Read more