Reviews provided by RottenTomatoes
Sara Stewart, New York Post: [Williams] has played against type before, but his presence feels like epic miscasting in this underwritten dramedy ... Read more
Matthew Kassel, New York Observer: Mr. Williams' performance is so grating that you may find yourself more infuriated than amused. Read more
Peter Debruge, Variety: A schmaltz opera that indulges Robin Williams' most melancholy tics and themes. Read more
Jesse Hassenger, AV Club: As broad as Williams goes in these scenes, it's not really his fault. He's acting out a screenplay, credited to Daniel Taplitz, that's peppered with bad writerly flourishes. Read more
Robert Abele, Los Angeles Times: Every scene between two people comes off like drunkenly shot video of a play rehearsal gone horribly wrong. Read more
Tomas Hachard, NPR: Considering its outlandish premise, what the film lacks are any outlandish scenes-or, if not outlandish, then at least ones in the realm of the creative. Read more
Elizabeth Weitzman, New York Daily News: Phil Alden Robinson's overheated dramedy feels disconnected from reality in every emotional way, but at least he captures the impotent fury that hits everyone stuck in the wrong lane on Flatbush Ave. Read more
Nicolas Rapold, New York Times: The movie is predictably sentimental at its root, but it's also meant to be comedy, partly resting on Mr. Williams's energetic but failed attempt to play a jerk. Read more
Calum Marsh, Village Voice: It seems life is still unendurable for those who feel entitled to absolute comfort from it. Read more
Bilge Ebiri, New York Magazine/Vulture: The film never quite manages to figure out what it's actually about. Read more