Tarnation 2003

Critics score:
92 / 100

Reviews provided by RottenTomatoes

Rene Rodriguez, Miami Herald: Utterly absorbing and accessible. Read more

Michael Wilmington, Chicago Tribune: As raw and personal as a movie can be, the equivalent of a cinematic journal or diary. But it's also artfully constructed and articulated, written, edited and musically designed with often jolting brilliance. Read more

Moira MacDonald, Seattle Times: The mesmerizing, trippy and thoroughly heartbreaking result of two decades' work. Read more

Walter V. Addiego, San Francisco Chronicle: A lacerating portrait of a family in free-fall. Read more

Richard Roeper, Ebert & Roeper: It's just devastating stuff. Read more

Bob Longino, Atlanta Journal-Constitution: Tarnation may not always be pretty, but it's pure, powerful stuff. Read more

Bill Muller, Arizona Republic: A soul-baring scrapbook of a film, its audacity surpassed only by its tragedy. Read more

Wesley Morris, Boston Globe: A masterpiece. Read more

Kenneth Turan, Los Angeles Times: A remarkable and remarkably compelling document. Read more

Eric Harrison, Houston Chronicle: A tortured, inspired, convulsively beautiful film memoir. Read more

Lisa Kennedy, Denver Post: In making beautiful peace with a difficult past, Caouette has delivered a promising vision of a future. Read more

Owen Gleiberman, Entertainment Weekly: As Caouette lays out events in storybook fashion, what pulsates through Tarnation is that life, even at its most hellish, is a thing of perilous and desperate rapture. Read more

Stephen Cole, Globe and Mail: An astonishing multimedia diary ... all accompanied by a scrolled family history that is as harrowing to read as a ransom note. Read more

Charles Ealy, Dallas Morning News: It transcends the recent trend of self-revelatory documentaries and becomes something rare: art. Read more

Ella Taylor, L.A. Weekly: Caouette lifts his story clear out of the victimized whine that bogs down so many confessional memoirs and offers the viewer instead an intimate look inside his ravaged yet loving head, at once street-smart and haloed by the naivete of a young saint. Read more

John Anderson, Newsday: The results, Cuisinarted but coherent, are an entrancing, egocentric trip into a life so unfavored by fortune its owner would be forgiven for believing in past-life crimes and karmic retribution. Read more

Peter Rainer, New York Magazine/Vulture: By all odds, Tarnation should have been an unwatchable, masochistic morass, but Caouette's love for the broken Renee -- which is the true subject of the film -- is awe-inspiring. Read more

Stephen Whitty, Newark Star-Ledger: Caouette has taken the broken pieces of two lives and slowly, painstakingly, pasted them together -- and created one superb work of art. Read more

Jami Bernard, New York Daily News: It's a riveting high-wire act by a young man on the verge. Read more

Andrew Sarris, New York Observer: It is to be hoped that Mr. Caouette can make many more films of all kinds, but he will probably never again be able to cut to the bone of his existence with such sublime feeling. Read more

A.O. Scott, New York Times: Certainly one of the strangest and most interesting movies of the year, and I suspect that in years to come a number of other strange and interesting movies will show traces of its influence. Read more

Roger Moore, Orlando Sentinel: Nearly impossible to watch, thoroughly unpleasant yet strangely arresting. Read more

Roger Ebert, Chicago Sun-Times: It is a remarkable film, immediate, urgent, angry, poetic and stubbornly hopeful. Read more

David Edelstein, Slate: Tarnation is a collage of pain that breaks over you like a wave. Read more

Colin Covert, Minneapolis Star Tribune: Its fierce emotional honesty can't be denied. Read more

St. Louis Post-Dispatch: Read more

Geoff Pevere, Toronto Star: Although aggressively unconventional, it's never pretentious. Read more

Time Out: Read more

Dennis Harvey, Variety: Getting so close to real-life mental illness, via footage that spans many years, renders Tarnation a uniquely potent experience. Read more

J. Hoberman, Village Voice: A tale of overwhelming sadness and fierce histrionics. Read more

Michael O'Sullivan, Washington Post: Heartbreaking film. Read more

Stephen Hunter, Washington Post: Mesmerizing. Read more