State and Main 2000

Critics score:
86 / 100

Reviews provided by RottenTomatoes

Ebert & Roeper: Read more

Robert Denerstein, Denver Rocky Mountain News: Read more

Susan Stark, Detroit News: A finely tuned satire of the insane Hollywood modus operandi, heightened by farcical flourishes and grounded with the kind of reportorial integrity that distinguishes Mamet's best work. Read more

Chris Vognar, Dallas Morning News: In this age when dumb, broad, easy-to-market comedy continues to rule, Mr. Mamet's literary wit is always welcome. Read more

Geoff Pevere, Toronto Star: When Mamet's new movie sticks to depicting the contagious amorality spread by the movie business, it's darkly dirty fun. Read more

Stephen Holden, New York Times: A surprisingly unpolished piece of work that plays as though it were written for the stage and only slightly modified for the screen. Read more

Eleanor Ringel Gillespie, Atlanta Journal-Constitution: Mamet lite, but still a lot of fun. Read more

Kenneth Turan, Los Angeles Times: A quintessentially wised-up insider comedy, ideally cast and filled with sharp writing from start to finish. Read more

Eric Harrison, Houston Chronicle: State and Main might be the perfect David Mamet movie for people who don't like David Mamet movies. The nice thing about it, though, is that it won't disappoint the rest of us. Read more

Steven Rosen, Denver Post: A frequently hilarious film. Read more

Owen Gleiberman, Entertainment Weekly: Has the hermetic, vacuum packed atmosphere of all the films that David Mamet has directed, yet cleverness, heightened to a pitch of acid tongued amorality, is both its flavor and its meaning. Read more

Globe and Mail: Read more

Gene Seymour, Newsday: There are fresher wisecracks packed in State and Main than in just about any high-concept Hollywood comedy of recent vintage. Read more

James Berardinelli, ReelViews: It's highly watchable, and, at times, humorously compelling. Read more

Roger Ebert, Chicago Sun-Times: It's Mamet in a lighthearted mood, playing with dialogue, repeating phrases just because he likes them, and supplying us with a closing line that achieves, I think, a kind of greatness. Read more

Charles Taylor, Salon.com: Mamet gets about halfway to great screwball comedy before the picture runs out of steam. Read more

Mick LaSalle, San Francisco Chronicle: A film of unexpected warmth and geniality. Read more

Derek Adams, Time Out: Read more

Eddie Cockrell, Variety: Read more

Jessica Winter, Village Voice: A Hollywood satire as cynical and thickheaded as its supposed targets. Read more

Desson Thomson, Washington Post: A crackling ensemble comedy. Read more

Stephen Hunter, Washington Post: There's not much here that would surprise any knowledgeable observer, but Mamet presents it with such brio and simmering rage that the movie has the sting of anger in almost every scene. Read more