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Reviews provided by RottenTomatoes
Susan Stark, Detroit News: Read more
Stephen Holden, New York Times: She's All That is essentially a formulaic comedy, but it has enough glimmerings of originality and wit to make you wish it were much bolder and funnier than it turns out to be. Read more
Lisa Alspector, Chicago Reader: It's often impossible to distinguish what's meant to be cartoonish from what's meant to be dramatic, but the confusion seems appropriately adolescent. Read more
Paul Tatara, CNN.com: Director Robert Iscove isn't really taxing his imagination, but that's probably just as well. Read more
Rick Groen, Globe and Mail: A trite classic. Read more
James Berardinelli, ReelViews: To say this isn't original is to understate the matter. However, although it's questionable whether this story has ever been done well, that hasn't stopped filmmakers from repeatedly trying. Read more
Roger Ebert, Chicago Sun-Times: She's All That is not a great movie, but it has its moments. Read more
Mary Elizabeth Williams, Salon.com: In the process of discovering each other, both Laney and Zack learn that it's as OK to change as it is to stay the same, perhaps even better. Read more
Mick LaSalle, San Francisco Chronicle: It's a pleasing but routine effort. Read more
Godfrey Cheshire, Variety: She's All That feels like it could have been made by a team of septuagenarians from the glory days of American Intl. Pictures. Read more
Justine Elias, Village Voice: Only Prinze, who has the ethereal, gentlemanly quality of a young Anthony Perkins, gets enough screen time to really make an impression. Read more