Secuestro Express 2004

Critics score:
52 / 100

Reviews provided by RottenTomatoes

Rene Rodriguez, Miami Herald: Secuestro Express leaves you feeling like a bit of a hostage yourself. Read more

Robert K. Elder, Chicago Tribune: Jakubowicz will undoubtedly become a filmmaker to follow, as soon as he understands what he wants to say -- not just how loud he wants to say it. Read more

Walter V. Addiego, San Francisco Chronicle: Secuestro Express seems less interested in dramatizing the crushing inequities of that nation than in serving up hefty doses of sadism and titillation. Read more

AV Club: Read more

Bill Muller, Arizona Republic: A well-intentioned copy but one that holds much promise for its first-time director. Read more

Kevin Thomas, Los Angeles Times: Jakubowicz is a whiz at setting up an exceedingly tense predicament and then building upon it a nearly unbearable suspense with ingenuity and insight. Read more

Dallas Morning News: Read more

Scott Foundas, L.A. Weekly: Too often, though, Jakubowicz falls back on his relentlessly pirouetting DV camera, attention-deficient editing and ear-splitting sound effects as a substitute for real tension. Read more

Gene Seymour, Newsday: Secuestro Express leaves you feeling as much a hostage as the story's victims -- more to the point, as if you've slept in the same clothes for more than three days. Read more

Bob Mondello, NPR.org: Read more

Elizabeth Weitzman, New York Daily News: Part exploitation thriller and part sociopolitical statement, Secuestro Express is a little too enamored of its own gangsta cool to be taken seriously. Read more

Laura Kern, New York Times: The unpredictable Secuestro Express is more than just a dizzying thrill ride laced with small doses of pitch-black comic relief. Read more

Robert Koehler, Variety: Depicts a nocturnal Caracas with tense energy while gingerly trying not to offend any political group in the current class wars embroiling Venezuela. Read more

Nona Willis-Aronowitz, Village Voice: As social commentary, Secuestro Express doesn't go much further than regurgitating character types (poor little rich girl, thief with heart of gold) and reminding us of Caracas's class differences. Read more