Dennis Harvey, Variety: Alan White's polished but pedestrian pic mines little real suspense and few surprises from a formulaic script. Read more

Sheri Linden, Los Angeles Times: Carmine Gaeta and Luke Davies' screenplay is constructed from plot mechanics, and the emotional stakes grow less convincing with every twist of the screw. Read more

Elizabeth Weitzman, New York Daily News: There are no twists or even surprises, except the final realization that director Alan White is taking his culturally clueless, ineptly shot B-movie totally seriously. Read more

Andy Webster, New York Times: A message before the closing credits cites the widespread incidence of child trafficking, but any social import is lost. This isn't activism; it's by-the-numbers suspense. Read more

Alonso Duralde, TheWrap: In any movie where good people are being scammed by nefarious ripoff artists, there's the potential moment where the protagonists become so stupid and trusting that you lose all sympathy for them. That moment occurs about midway through Reclaim Read more