Critics score:
Reviews provided by RottenTomatoes
Jonathan Rosenbaum, Chicago Reader: Juggling onstage and offstage action, Cassavetes makes this a fascinating look at some of the internal mechanisms and conflicts that create theatrical fiction. Read more
Roger Ebert, Chicago Sun-Times: The scenes in which Myrtle consults first one and then another spiritualist are typical of Cassavetes's genius in filming madness. Read more
Keith Phipps, AV Club: Rowlands sings a different kind of mad song in Opening Night, playing a diva-like actress preparing a part about aging that haunts her, at times literally, with a vision of lost youth. Read more