Reviews provided by RottenTomatoes
Nick Schager, Time Out: From dirty-movie parodies to the achieving of one's misfit dreams, Keith Bearden's coming-of-age dramedy adheres to the flaccidest of formulas. Read more
Tom Long, Detroit News: You really come away wishing Cattrall could take this character to a more serious film. Who better to show the flip side of beauty? Read more
Owen Gleiberman, Entertainment Weekly: The role of a former star of the ''golden age'' of porn sounds perfect for Kim Cattrall, and she handles it nicely - at least, in the rare moments when this indie comedy isn't terminally contrived. Read more
Frank Scheck, Hollywood Reporter: Better than its premise would suggest, the film works to the degree that it does thanks to the well-drawn characterizations and the frequent doses of sly, subtle humor. Read more
Mark Olsen, Los Angeles Times: In some ways this film's biggest failing is that it can't decide whose story it is telling, his or hers. Read more
Stephen Whitty, Newark Star-Ledger: Watching Tobe circle the drain in an open-mouthed daze, like some sort of unwanted goldfish, is absolutely no fun at all. Read more
Joe Neumaier, New York Daily News: [A] herky-jerky story. Read more
Lou Lumenick, New York Post: Cattrall, who gained weight for a role in which she looks every one of her 50-something years, makes "Meet Monica Velour" more involving than it sounds. Read more
Jeannette Catsoulis, New York Times: Like a fledgling Will Ferrell, Mr. Ingram embraces his inner nerd with mouth permanently agape and hair sprouting like florets of burned broccoli. But this is Ms. Cattrall's movie all the way. Read more
Rex Reed, New York Observer: Harmless coming-of-age stuff, but you've seen it all a million times. Read more
Rick Groen, Globe and Mail: Pretty good performance, awfully lame movie. Read more
Linda Barnard, Toronto Star: Had first-time director Keith Bearden been as devoted to keeping Meet Monica Velour on track as he did to coming up with punderful porn flick names, he could have had a satisfying dark comedy on his hands. Read more
Michelle Orange, Village Voice: The result is unbalanced by cartoonish flourishes -- Ingram's performance being the chief offender -- that overpower Cattrall's subtler character work. Read more