Reviews provided by RottenTomatoes
Susan Stark, Detroit News: Read more
Janet Maslin, New York Times: Powerhouse casting and a heartbreaking history make the screen version of Marvin's Room more memorable than it otherwise would be. Read more
Kenneth Turan, Los Angeles Times: There is a core of substance in Marvin's Room, and persuasive acting to back it up. Which makes it a special pity that the filmmakers didn't trust viewers to have the necessary intelligence to figure that out for themselves. Read more
Lisa Alspector, Chicago Reader: The performances are overwhelmed by cinematography so gorgeous and distracting it makes the drama seem like just so much wheel spinning. Read more
James Berardinelli, ReelViews: What begins as an apparently simple tale of sibling interaction reveals a complex web of pain, guilt, and uncertainty. Read more
Roger Ebert, Chicago Sun-Times: Streep and Keaton, in their different styles, find ways to make Lee and Bessie into much more than the expression of their problems. Read more
Edward Guthmann, San Francisco Chronicle: Any movie with Meryl Streep is an occasion, but when you add Diane Keaton, Robert De Niro, Leonardo DiCaprio, Hume Cronyn and Gwen Verdon, you've got an embarrassment of riches. Read more
Wally Hammond, Time Out: Streep gives her most credible blue-collar performance to date; Keaton sidesteps saintliness to mix vulnerability and small heroics. Read more
Emanuel Levy, Variety: Based on a play by Scott McPherson's who died of AIDS, it's impossible to watch the well-acted film (particularly Diane Keaton, who should get an Oscar nod) without thinking of its themees: the various approaches to love and the strength of family bonds Read more
Eric Brace, Washington Post: It's all plinky-plink pianos and mewing oboes, trying to jerk those tears a little too hard. No, a lot too hard. The music is awful. Stupendously bad. Read more
Desson Thomson, Washington Post: Marvin's Room seems to exist primarily to road-test every one of your emotions. Read more