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Robert K. Elder, Chicago Tribune: A flawed but fascinating thriller. Read more
Kevin Thomas, Los Angeles Times: Notably grisly, derivative and increasingly preposterous. Read more
Stephen Holden, New York Times: The full explanation for the movie's graphically depicted horrors is preposterous even by the almost-anything- goes standards of the action-thriller conspiracy genre. Read more
Mark Rahner, Seattle Times: The most American French movie ever, it's like a Hollywood blockbuster that accidentally got made by smart people. And it's excellent. Read more
Rick Groen, Globe and Mail: This is a French film desperate to please an American audience. Read more
Andrew Sarris, New York Observer: The digressions and diversions eventually overwhelm the narrative. Read more
Roger Ebert, Chicago Sun-Times: A breathtaking exercise in the macabre. Read more
Mick LaSalle, San Francisco Chronicle: Some actors are just automatically the moral locus of every scene they're in. They're the major movie stars, and Reno is one of those. Read more
Mike Clark, USA Today: Dull and unpleasant, which hardly beckons us to make an emotional investment. Read more
Jessica Winter, Village Voice: Kassovitz strips the David Fincher canon to the bone. Read more