Le Havre 2011

Critics score:
99 / 100

Reviews provided by RottenTomatoes

Barbara Scharres, Chicago Sun-Times: I wanted to cry for joy at this funny and good-hearted film. I would normally be wary of a film that anyone describes as heart-warming but this is the real deal. Read more

Wesley Morris, Boston Globe: Kaurismaki wrote the script, I think, with secret credit from Mother Goose and some fabric softener. Read more

Moira MacDonald, Seattle Times: You almost become a citizen of Le Havre, watching this film and rejoicing at the end as two newfound, unexpected friends share a drink. Read more

Mick LaSalle, San Francisco Chronicle: The Finnish director's sense of humor is dry and dark as pitch, as he consistently finds moments of absurdity in the midst of strife and tragedy. Read more

Lisa Schwarzbaum, Entertainment Weekly: This typically deadpan saga from the maker of The Match Factory Girl, Drifting Clouds and The Man Without a Past (among other Netflix finds) exemplifes France's commitment to liberte, egalite, fraternite with impish sincerity. Read more

A.O. Scott, New York Times: A stylized and sentimental fairy tale about the way the world might be, grounded in a frank recognition of the way it is. Read more

David Fear, Time Out: You still get the usual po-faced jokes; this time out, Kaurismaki includes a heartfelt hat tip to the power of community and cinema. Read more

Joe Morgenstern, Wall Street Journal: "Le Havre" stands on its own fragile but considerable merits. Read more

Scott Tobias, AV Club: Minor pleasures abound, but Kauismaki's vision isn't deep enough to survive so many variations. Read more

Bill Goodykoontz, Arizona Republic: "Le Havre" is a small bit of movie magic, a story that plays more as a fable even as it deals with something as topical as immigration. Read more

Ben Sachs, Chicago Reader: The film is especially comforting if you love old movies, as Kaurismaki does. Read more

Michael Phillips, Chicago Tribune: Does Kaurismaki believe in his own fairy tale? The movie, a humble delight, suggests the answer is yes. Read more

Lisa Kennedy, Denver Post: 'Tis the season, so the saying goes. And when it comes to Aki Kaurismaki, it holds true. The Finnish writer-director arrives bearing a gift wrapped in a contemporary immigration fable. Read more

Tom Long, Detroit News: "Le Havre" is a passing fancy of a film, but it passes quite nicely indeed. Read more

William Goss, Film.com: A slog of old-fashioned ideals and utter non-whimsy. Read more

Kirk Honeycutt, Hollywood Reporter: Aki Kaurismaki carves out another comically enchanted movie oasis from the real world where people can rise to the occasion and do the right things. Read more

Kenneth Turan, Los Angeles Times: If the name Aki Kaurismaki doesn't mean anything to you, it should, and "Le Havre" may be the film to make it happen. Read more

Stanley Kauffmann, The New Republic: We are so held by the film's impact that its ending, surprise or not, is like a bonus. Read more

Richard Brody, New Yorker: Kaurismaki's ingenious pastiche of French populist poetic-realist dramas plumbs their styles and moods for enduring political substance. Read more

Mark Jenkins, NPR: A contemporary fable set in a place constructed from blocks of French cinematic history, Le Havre is one of Aki Kaurismaki's warmest, most engaging films. Read more

Elizabeth Weitzman, New York Daily News: No one looks at the world quite like Kaurismaki, and his deadpan sentimentality is worth discovery. This is a good place to start. Read more

V.A. Musetto, New York Post: "Le Havre'' is warm-hearted and uplifting, without being schmaltzy or preachy. And, with its illegal-alien theme, it's dead-on timely. Read more

Steven Rea, Philadelphia Inquirer: If the bummers and ambiguity of some of this season's movies are getting you down - or, hey, just the bummers and ambiguities of life - make your way to Le Havre. You won't be sorry. Read more

Andrew O'Hehir, Salon.com: Shot (by cinematographer Timo Salminen) with the precise choreography, exaggerated 1940s-style lighting and deadpan blend of comedy and melodrama that characterizes Kaurismaki, Le Havre sneaks up on you. Read more

Jon Frosch, The Atlantic: Endearingly quirky, just this side of precious, but so warm and deftly executed that you go along with it. Read more

Liam Lacey, Globe and Mail: With perfectly pitched acting and a script brimming with compassion and wit, Kaurismaki conveys his critique of social injustice without a hint of self-righteousness. Read more

Geoff Andrew, Time Out: Something to savour. Read more

Peter Howell, Toronto Star: An exceeding droll comedy from Finnish master Aki Kaurismaki, whose dark worldview is balanced by a deep empathy for his blue-collar characters. Read more

Leslie Felperin, Variety: Mixing together some of helmer Aki Kaurismaki's favorite Gallic and Finnish thesps with a few newbies, Le Havre feels like a welcoming family reunion. Read more

J. Hoberman, Village Voice: Le Havre is utopian precisely because it shows everything as it is not. Read more