Reviews provided by RottenTomatoes
Susan Stark, Detroit News: Read more
Stephen Holden, New York Times: In imagining an exalted Buddhist version of a personal road not taken, Mr. Scorsese has made a film that is as much a prayer as it is a movie. Read more
David Edelstein, Slate: The music ties together all the pretty pictures, gives the narrative some momentum, and helps to induce a kind of alert detachment, so that you're neither especially interested nor especially bored. Read more
Kenneth Turan, Los Angeles Times: Careful and respectful, it is everything a movie about the Dalai Lama should be except dramatically involving. Read more
Jonathan Rosenbaum, Chicago Reader: Throughout the film cause and effect, the mainspring of most narratives, is replaced by a sense of spiritual synchronicity. Read more
Owen Gleiberman, Entertainment Weekly: Scorsese has taken the harsh mystery out of Tibetan Buddhism, and out of its oppression, too. Read more
Globe and Mail: A great film about a good man. Read more
David Denby, New York Magazine/Vulture: It's an extremely beautiful, boring movie. Read more
James Berardinelli, ReelViews: While Kundun boasts impressive cinematography (by Roger Deakins) and an effective score (by Philip Glass), the images and music aren't enough to hide the picture's essential hollowness. Read more
Roger Ebert, Chicago Sun-Times: I admire Kundun for being so unreservedly committed to its vision, for being willing to cut loose from audience expectations and follow its heart. Read more
Charles Taylor, Salon.com: Once you settle into the pace of the movie, you experience it as a continuous flow of incidents and images. Read more
Peter Stack, San Francisco Chronicle: Stunning, odd, glorious, calm and sensationally absorbing, director Martin Scorsese's Kundun is a remarkable piece of work with vital colors and a wrenching message. Read more