Reviews provided by RottenTomatoes
Kathleen Murphy, MSN Movies: With almost supernaturally effortless grace, Kore-eda has connected the film's every element, each one pregnant with beauty and meaning... Read more
Manohla Dargis, New York Times: Whenever its children are on screen, lighted up with joy or dimmed by hard adult truths, the film burns bright. Read more
David Edelstein, New York Magazine/Vulture: You can contemplate the wonder in these glowing young faces without feeling as if you're on an intravenous drip of corn syrup. Read more
Joe Morgenstern, Wall Street Journal: This wise and funny film, in Japanese with English subtitles, works small miracles in depicting the pivotal moment when kids turn from the wishfulness of childhood into shaping the world for themselves. Read more
Moira MacDonald, Seattle Times: You watch it remembering the days when you should have walked but simply had to run, and when you believed that, if you wished hard enough, your dead pet just might come back again. Read more
Noel Murray, AV Club: Full of life, heart, and funny little details about daily existence, as it meanders its way toward moments of real profundity. Read more
Bill Goodykoontz, Arizona Republic: What's so remarkable about the happiness the film brings is its simplicity. Read more
Wesley Morris, Boston Globe: The sort of small film of real consequence that, as a kid, I remember seeing and completely losing myself in: That was my life. Read more
Peter Rainer, Christian Science Monitor: It's an adult movie about children that feels made from the inside out. Read more
Betsy Sharkey, Los Angeles Times: There is a lot of hope in the air in "I Wish," but the film never feels sappy. Read more
Chris Benderev, NPR: More often than not Kore-eda's technique creates space for something truly special in a film: kids talking like kids. Read more
Elizabeth Weitzman, New York Daily News: How does Hirokazu Kore-eda do it? His films are so casually infused with graceful realism, they make other movies feel painfully stilted and false. Read more
Steven Rea, Philadelphia Inquirer: A wistful heartbreaker from the Japanese master of quiet observation, Hirokazu Kore-eda. Read more
Roger Ebert, Chicago Sun-Times: [The] film is built around performances by two real-life brothers who are as unaffected, spirited and lovable as I can imagine, and one of the pleasures of "I Wish" is simply spending time with them. Read more
Andrew O'Hehir, Salon.com: "I Wish" is a wonderful adventure film that's no less thrilling for its modest scale, and a film whose emotional power and intelligence sneak up on you. Read more
Colin Covert, Minneapolis Star Tribune: What a kind and wise movie this is. Read more
Joe Williams, St. Louis Post-Dispatch: Like a train, "I Wish" is slow to build momentum, then it carries us away in a wondrous rush. Read more
Tom Huddleston, Time Out: Every performance works, every character fits, every observation rings true. Read more
Keith Uhlich, Time Out: Shots of the kids and their friends running around unfamiliar environments have the fantastical qualities of Spike Jonze's Where the Wild Things Are, minus the forced whimsy. Read more
Stanley Kauffmann, The New Republic: Transforms the commonplace into the extraordinary. Read more
Dennis Harvey, Variety: This tale of two elementary-school brothers plotting to end the physical separation their parents' divorce has forced on them effortlessly pulls off the naturalism and charm desired from material that might have easily curdled into calculated preciousness Read more
Alison Willmore, Village Voice: I Wish makes us feel like we are watching these kids discover each new sensory pleasure of youth for the first time, or that we're experiencing it ourselves. Read more
Mark Jenkins, Washington Post: It's about the wonders of everyday life, and of childhood imagination. Read more