Kak ya provel etim letom 2010

Stephen Holden, New York Times: Above all How I Ended This Summer is a merciless contemplation of the fragile human psyche under siege. Read more

Joshua Rothkopf, Time Out: Popogrebsky sets up the quiet tensions between his two generationally divided characters like a chess match pocked with occasional power grabs... Read more

V.A. Musetto, New York Post: Just when you think that nothing more is going to happen, all hell breaks loose in the form of a deadly game of cat and mouse. Read more

Andrew O'Hehir, Salon.com: How I Ended This Summer combines memorable images of the gorgeous, rugged wilderness, meticulous sound design that emphasizes the characters' isolation, a dash of dark wit and a dose of madness. Read more

Walter V. Addiego, San Francisco Chronicle: What stays with the viewer is a sense of a man unraveling from his own mistakes and weaknesses. Read more

David Jenkins, Time Out: So-called 'slow cinema', if executed with delicacy, has the power to exert a trance-like hold over us, but this one falls flat at every dreary hurdle. Read more

Nick Pinkerton, Village Voice: Playing an ignoble protagonist, Dobrygin keeps his motives always quietly evident; later, lost in a fog painted red by an emergency flare, he's an abject vision of man in a hell of his own making. Read more