Reviews provided by RottenTomatoes
Bosley Crowther, New York Times: Excellent quasidocumentary, which sends shivers down the spine while moving the viewer to ponder. Read more
Don Druker, Chicago Reader: An uneasy mixture of facile Freudianism and 40s expressionism. Read more
Kenneth Turan, Los Angeles Times: Hall's bleak vision, his gift for working with darkness and rain, rivals classic film noir of the 1940s and '50s in its visual mastery. Read more
Roger Ebert, Chicago Sun-Times: Brooks' great achievement in the film is to portray Smith and Hickock as the unexceptional, dim-witted, morally adrift losers they were. Read more