Critics score:
Reviews provided by RottenTomatoes
Bosley Crowther, New York Times: An obvious cheap-crime picture, very much on the sentimental side, and therefore thematically inferior to the two films it fell between. But it contains some very strong Fellini phases and accumulations of moods that make it well worth seeing. Read more
Dave Kehr, Chicago Reader: The most obscure film of the highly visible Federico Fellini. Read more