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Manohla Dargis, New York Times: A dreamy, elliptical neo-noir about a cop turned killer turned something else altogether. Read more
Doug Knoop, Seattle Times: While there are some great twists and revelations here, I just kept wishing it would stop with all the cinematic tricks and get to more conventional, straight- forward storytelling. Read more
Alison Willmore, AV Club: Headshot is, unfortunately, far better with ideas than with narrative. Read more
Eric Hynes, Time Out: Its vision of contemporary Thailand is recognizable as another society undeserving of redemption, but worthy of poetry. Read more
Alan Scherstuhl, Village Voice: Neither fresh nor especially satisfying, but Ratanaruang distinguishes the hunt with his fluid kineticism, especially in the just-a-touch-too-infrequent shoot-outs and beatdowns. Read more