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Art of the Movies
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Michael Wilmington, Chicago Tribune: The portrait is spectacular and inclusive, if sometimes a bit overwhelming and confusing. Read more
Keith Phipps, AV Club: The film is clearly an act of boosterism, and it makes a pretty good case for the Glastonbury cause. Read more
Ty Burr, Boston Globe: ... as muddy as Yasgur's farm back in the day. Read more
Kevin Crust, Los Angeles Times: The overall soundtrack seamlessly patches together a sonic quilt of eclectic music that evokes a kind of timeless flow. It's not a Glastonbury of any particular vintage, but rather a continuum of experiences that have occurred on this sacred ground. Read more
Roger Moore, Orlando Sentinel: Read more
Joel Selvin, San Francisco Chronicle: A warm and witty, detailed look at this parallel universe. Read more
Dave Calhoun, Time Out: A frenetic cut-and-paste job that is free of voiceover, commentary or even titles to introduce interviewees. Such calculated vagueness works, and the lingering impression is of a messy and hedonistic free-for-all. Read more
Dennis Harvey, Variety: A long, structureless muddle that does justice to neither the stellar acts nor changing countercultural times event has encompassed. Read more
Ann Hornaday, Washington Post: For all the posers with light sticks and piercings, there are moments of Dada-esque beauty, not to mention some great music from Tinariwen, Bjork, David Bowie and the late, great Joe Strummer. Read more