Reviews provided by RottenTomatoes
Roger Ebert, At the Movies: Although there are individual scenes of powerful acting, there doesn't seem to be a destination. Read more
Susan Stark, Detroit News: It has neither the clarity nor strength of purpose to engage an audience much beyond the converted. Read more
Chris Vognar, Dallas Morning News: As we take our mental health for granted, Girl, Interrupted does justice to those who ultimately can't. Read more
Stephen Holden, New York Times: You can drive yourself crazy, or you can get over it. The choice is yours. Read more
Eleanor Ringel Gillespie, Atlanta Journal-Constitution: The best work [Ryder's] ever done. Read more
Kenneth Turan, Los Angeles Times: What helps the film stay as honest as it manages to sporadically be are the purity and grace of its lead performances by Ryder and Angelina Jolie. Read more
Jeff Millar, Houston Chronicle: The film generates real empathy, without too much let's-laugh -at- the -crazy- people humor or too much stereotyping. Read more
Paul Tatara, CNN.com: Ryder is no Jack Nicholson. And Whoopi Goldberg sure as hell ain't Louise Fletcher. Read more
Steven Rosen, Denver Post: If only the story of Susanna's evolution didn't keep getting interrupted by everything else. Read more
Owen Gleiberman, Entertainment Weekly: Shrewd, tough, and lively. Read more
Jami Bernard, New York Daily News: [Ryder] is often just a crumpled, listless figure on a bed, which, while true to the nature of depression, is not, cinematically speaking, the most arresting image. Read more
James Berardinelli, ReelViews: The inclusion of this picture on [Mangold's] resume will only enhance his future prospects. Read more
Stephanie Zacharek, Salon.com: Not even foxy sociopath Angelina Jolie can save this nut-house drama. Read more
Peter Stack, San Francisco Chronicle: A muddled production that misses the jarring tone of the autobiographical book by Susanna Kaysen on which it is based. The film is entertaining, but not very powerful. Read more
Charlotte O'Sullivan, Time Out: Does it matter that every time Jolie's offscreen the film wilts a little? Ryder should be perfect as the bright spark; her lines are sharp as a knife. There's a gap, however, between what we hear and what we see. Read more
Emanuel Levy, Variety: Unevenly structured and directed, its sensibility only one notch above that of a Lifetime telepic. Read more
Abby McGanney Nolan, Village Voice: Ryder's is an earnest, well-meaning performance -- and she also coproduced the movie -- but the book's interesting tension and dark humor are pretty much absent. Read more
Michael O'Sullivan, Washington Post: Sensitive, well-acted. Read more