Reviews provided by RottenTomatoes
Moira MacDonald, Seattle Times: Two marvelous performances from two Irish actors turn Oliver Hirschbiegel's Five Minutes of Heaven into a tour de force. Read more
Sam Adams, AV Club: Inspired by the sectarian murder of a Catholic dockworker in 1975, Five Minutes Of Heaven belongs, along with Nothing Personal and Breakfast On Pluto, to the rare class of movies that try to encompass both sides of the conflict. Read more
Gary Goldstein, Los Angeles Times: Ultimately, Five Minutes of Heaven is stronger as a whole than its individual parts. Read more
Peter Rainer, Christian Science Monitor: So many movies set in Northern Ireland are about the Troubles that we might justifiably ask, why another? Five Minutes of Heaven is far from the best of the breed, but it does at least take a new tack. Read more
Lisa Schwarzbaum, Entertainment Weekly: It's an original movie idea that feels written for the stage, all the more so since so much of our attention is diverted to admiring how the actors act, in roles with a high degree of technical
 difficulty. Read more
Joe Neumaier, New York Daily News: Early scenes set up the tragedy, but the majority of Oliver Hirschbiegel's movie is set in a TV studio where the two eventually face each other, and the tension, unfortunately, quickly becomes stagey. Read more
Lou Lumenick, New York Post: Read more
Rex Reed, New York Observer: Could benefit from a little less of the balanced historical context and a little more of the movie madness of Quentin Tarantino. Read more
James Berardinelli, ReelViews: The movie might have been more tense had it been a little more quiet. Neeson and Nesbitt, however, are so good that narrative hiccups never threaten to lose us... Read more
Amy Biancolli, San Francisco Chronicle: Read more
Joe Williams, St. Louis Post-Dispatch: A director whose breakthrough was the story of a madman's last stand has exceeded that feat with the story of an angry man's next step. Read more
Dennis Harvey, Variety: Powerhouse performances by Liam Neeson and James Nesbit make this an intense, ultimately moving tale. Read more
Vadim Rizov, Village Voice: The three parts never coalesce, even if they each have potential. Read more