Final Analysis 1992

Vincent Canby, New York Times: The movie attempts to top each of its revelations with still another until reason bends and interest flags. Read more

Entertainment Weekly: Read more

Roger Ebert, Chicago Sun-Times: Most audiences are likely to emerge dazed and a little goofy, convinced they've seen a humdinger, but unable to quite describe it. Read more

Time Out: It's hard to care in the end. Read more

Variety Staff, Variety: Tantalizing double-crosses mount right up to the eerie final scene. Read more

Desson Thomson, Washington Post: Things get weirder and weirder, until it's clear scriptwriter Wesley Strick's the one who needs analysis. Read more

Rita Kempley, Washington Post: Has so many twists, turns and backward leaps, the actors tackle their work like trained poodles in a circus act. Read more