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Nathan Rabin, AV Club: Reggaeton has officially come of age: The burgeoning subgenre now has a terrible, opportunistic exploitation movie to call its own. Read more
Ty Burr, Boston Globe: Could have used more music. Read more
John Monaghan, Detroit Free Press: For whatever reason you go to a movie like this, the results are bound to disappoint. Read more
Chuck Wilson, L.A. Weekly: First-time screenwriter Albert Leon appears to have turned for music industry insight not to his famous producer (who has no excuses) but to other music-themed movies (Mariah Carey's Glitter, perhaps?). Read more
Rafer Guzman, Newsday: Instead of trying to find the heartbeat of reggaeton, the movie resorts to teen conventions, banking that its target audience -- Latino teens, who don't often see themselves onscreen -- won't know enough to demand better. Read more
Elizabeth Weitzman, New York Daily News: The plot is contrived, the performances are all over the board, and Chomski's camera ogles his actresses just a little too much. Read more
Roger Moore, Orlando Sentinel: Read more
Peter Howell, Toronto Star: I didn't feel this noise. Read more