Don't Look Now 1973

Vincent Canby, New York Times: Not only do you probably have better things to do, but so, I'm sure, do most of the people connected with the film. Read more

Dave Kehr, Chicago Reader: A frightening and consistently inventive horror story. Read more

James Berardinelli, ReelViews: [Don't Look Now] takes the viewer on a winding, unpredictable trip that starts as a meditation on grief and ends as a supernatural thriller. Read more

Roger Ebert, Chicago Sun-Times: Nicolas Roeg's 1973 film remains one of the great horror masterpieces, working not with fright, which is easy, but with dread, grief and apprehension. Read more

Edward Guthmann, San Francisco Chronicle: A haunting, beautiful labyrinth that gets inside your bones and stays there. Read more

Jay Cocks, TIME Magazine: Don't Look Now uses the occult and the inexplicable as Henry James did: to penetrate the subconscious, to materialize phantoms from the psyche. Read more

Tom Milne, Time Out: A superbly chilling essay in the supernatural. Read more

Variety Staff, Variety: This British-Italian suspenser, in which the horror gets to one almost subliminally, as in Rosemary's Baby, is superior stuff. Read more

Amy Taubin, Village Voice: Roeg maps Sutherland's disintegrating psyche onto the city of Venice, with its labyrinthian alleys, murky canals, and crumbling facades. Read more