Reviews provided by RottenTomatoes
Marta Barber, Miami Herald: The plot grows thin soon, and you find yourself praying for a quick resolution. Read more
Ellen Fox, Chicago Tribune: You could watch a heroine barrel into a messy romance all day, provided that she's a lot less dopey than this, but few of Michele's foibles make us sympathize with her. Read more
A.O. Scott, New York Times: How much you are moved by the emotional tumult of [Francois and Michele's] relationship depends a lot on how interesting and likable you find them. Read more
Kevin Thomas, Los Angeles Times: This off-putting French romantic comedy is sure to test severely the indulgence of fans of Amelie. Read more
Matt Weitz, Dallas Morning News: Although God Is Great addresses interesting matters of identity and heritage, it's hard to shake the feeling that it was intended to be a different kind of film. Read more
Kate Sullivan, L.A. Weekly: Audrey Tatou has a knack for picking roles that magnify her outrageous charm, and in this literate French comedy, she's as morning-glory exuberant as she was in Amelie. Read more
John Anderson, Newsday: A movie in which two not very absorbing characters are engaged in a romance you can't wait to see end. Read more
Andrew Sarris, New York Observer: I am convinced [Tautou] can do anything, and I recommend the movie almost solely because of her. Read more
Colin Covert, Minneapolis Star Tribune: The film is a confusing melange of tones and styles, one moment a romantic trifle and the next a turgid drama. Read more
Melissa Anderson, Village Voice: Pascale Bailly's rom-com provides Amelie's Audrey Tautou with another fabuleux destin -- i.e., a banal spiritual quest. Read more