Reviews provided by RottenTomatoes
Kyle Smith, New York Post: Despite gritty atmosphere and a sometimes smart script by the estimable Richard Price, whose credits include "The Wire," "Child 44" can't sort out the basics. Read more
Peter Debruge, Variety: "Child 44" plays like a curious relic of an earlier Cold War mindset, when Western audiences took comfort that they were living on the right side of the Iron Curtain, and relied on movies to remind them as much. Read more
Chris Nashawaty, Entertainment Weekly: It's as tedious as a bottomless bowl of borscht. Read more
Jordan Mintzer, Hollywood Reporter: The movie doesn't really captivate the way it should, and as the manhunt stretches on it actually diminishes in suspense, ultimately overstaying its two-plus-hour running time. Read more
Kenneth Turan, Los Angeles Times: "Child 44" is involving despite itself. Read more
Stephen Whitty, Newark Star-Ledger: Just say nyet. Read more
Joe Neumaier, New York Daily News: A muddled, mumbling thriller that never gets us in an iron grip. Read more
A.O. Scott, New York Times: What "Child 44" most resembles is a rushed and crowded pilot for a television drama. Read more
Steven Rea, Philadelphia Inquirer: [An] unrelentingly grim, plodding, and close-to-incoherent adaptation of Tom Rob Smith's best-selling mystery. Read more
James Berardinelli, ReelViews: The movie hints at a riveting story but is incapable of delivering it. Read more
Andrew O'Hehir, Salon.com: Given these actors and the ravishing decrepitude of the locations and costumes and the lustrous cinematography of Oliver Wood, I found it more than watchable the whole way through. Read more
Jocelyn Noveck, Associated Press: Ultimately, what we have is a bloated, grim, underwhelming affair, which is unfortunate - because the movie starts out with a lot going for it. Read more
James Rocchi, TheWrap: A Soviet-era slog through crime and corruption, painted in grim shades of muck, blood, moss and bark, director Daniel Espinosa's "Child 44" turns a best-selling period-piece procedural into a slow, tedious thriller almost totally devoid of thrills. Read more
Tom Huddleston, Time Out: Thanks to a feeble script, bland direction and - God, why? - those impenetrable accents, no one emerges from this fiasco with much dignity. Read more
Claudia Puig, USA Today: Child 44 could have been far more compelling had it dug deeper into its political thriller layers and not drifted into yet another story of a diabolical killer on the loose. Read more
Stephanie Zacharek, Village Voice: For long stretches, it's dull and plodding, chugging along on the fumes of its earnest intentions. Still, there are worse ways to kill two hours than watching Hardy work his sturdy magic. Read more