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Reviews provided by RottenTomatoes
Terry Lawson, Detroit Free Press: Dickerson stays true to the tradition in the film's last third, which turns seriously stupid, and finally outright comic. Read more
Susan Stark, Detroit News: Read more
Chris Vognar, Dallas Morning News: Slow to start, this Snoop Dogg vehicle gets revved up as soon as it gets gross, funny and stupid. Actually, it's pretty stupid from the start. Read more
Stephen Holden, New York Times: In exalting the very worst of humanity, Bones displays a special glee and an unusual density of scary imagery. Read more
Kevin Maynard, Mr. Showbiz: Stylish and ingratiatingly goofy. Read more
Gene Seymour, Newsday: Its transitions often are sloppy and crude. But it brandishes its excesses like a loud, retro suit. Read more
Louis B. Parks, Houston Chronicle: As a horror film, Bones is a half-hearted bust, not likely to really frighten anyone over age 12. It works better if watched tongue in cheek as a supernatural pot boiler. Read more
Owen Gleiberman, Entertainment Weekly: May be pure trash, but it's trash made with the kind of oozy psychedelic zest that powered a movie like A Nightmare on Elm Street 3: Dream Warriors. Read more
Andrew O'Hehir, Salon.com: A grotesquely uneven schlockfest with large doses of bad writing and bad acting amid the delicious moments. Read more
Mick LaSalle, San Francisco Chronicle: To point out little flaws in this one would be like looking at a demolished car and complaining that the taillight doesn't work. Read more
Jeff Strickler, Minneapolis Star Tribune: Read more
Geoff Pevere, Toronto Star: A mangy and ungainly movie, a cluttered and uncreepy assembly of stale cliches, telegraphed scares and low-rent effects. Read more
Mike Clark, USA Today: If grossness gives you the giggles, at least a couple of the movie's effects indeed put a little 'wow' in this cinematic bowwow. Read more
Joe Leydon, Variety: Made with sufficient skill to produce a few shivers. Just as important, it contains enough self-mocking humor to earn a few laughs. Read more
Ed Park, Village Voice: Splits the difference between horror and social commentary, with pallid returns. Read more