Reviews provided by RottenTomatoes
Jessica Reaves, Chicago Tribune: The problem isn't just that the material is cliched and vaguely offensive....It's more that the plot is incredibly predictable, the score is manipulative and the denouement completely unsatisfying. Read more
David Edelstein, New York Magazine/Vulture: Rahul Bose has a winning presence -- eager with a touch of wariness or wary with a touch of eagerness, and never entirely at home. He keeps the movie from seeming too comfy -- a good thing. Read more
J. R. Jones, Chicago Reader: Producer Ismail Merchant died in 2005, but Merchant Ivory's stuffy tradition of quality lives on. Read more
John Hartl, Seattle Times: It might have been more convincing if it had emphasized personalities rather than types. Read more
Scott Tobias, AV Club: With all these volatile emotions at play, Before The Rains should percolate like The Postman Always Rings Twice, but... well... it's a Merchant-Ivory production, after all. Read more
Ethan Gilsdorf, Boston Globe: Read more
Loren Lankford, Entertainment Weekly: Unfortunately, the parade of consequences brought on by the affair has little emotional substance. Read more
Rick Groen, Globe and Mail: When the rains in Before the Rains finally arrive, there's nothing to cleanse, no real dirt to wash away -- not with history already so neatly packaged and polished to a dull shine. Read more
John Anderson, Newsday: The film is well-acted, a broad colonial allegory, and again, visually gorgeous. Read more
V.A. Musetto, New York Post: Merchant-Ivory productions are usually visual delights, and Before the Rains is no exception. Pity that the direction and narrative lack passion. If there's anything a story of interracial adultery needs, it's passion. Read more
Rex Reed, New York Observer: A lovely, lyrical film with perfect timing that is a welcome relief from BlackBerrys, iPods, gas taxes, punk rock, the failing economy and the boredom of cutthroat election campaigns. Read more
Steven Rea, Philadelphia Inquirer: Before the Rains is never less than compelling, but never more than adequately realized. Read more
Roger Ebert, Chicago Sun-Times: I can't quite recommend it. Read more
Andrew O'Hehir, Salon.com: So pretty and so utterly lifeless you can almost smell the embalming fluid coming off the screen. Read more
Mick LaSalle, San Francisco Chronicle: It's definitely good, definitely a little bit boring. Read more
Colin Covert, Minneapolis Star Tribune: It's standard soap opera dramaturgy in wrinkled linens, loincloths and saris. Read more
Philip Marchand, Toronto Star: India has rarely looked so beautiful onscreen. Against the anguish of his human characters, director Santosh Sivan juxtaposes a tranquil, green world in the hills of the southwestern state of Keralain 1937, 10 years before independence. Read more
Mark Holcomb, Time Out: No amount of lingering shots of nature's rich pageant can make up for its lack of human involvement. Read more
Eddie Cockrell, Variety: The emotionally charged mysteries of his breakthrough feature, The Terrorist, have given way to laborious narrative convention in Indian helmer Santosh Sivan's latest, English-lingo period meller Before the Rains. Read more
Julia Wallace, Village Voice: Director Santosh Sivan imparts a vastness and a sense of wonder to the film, qualities reminiscent of a Thomas Cole painting: They remind you why the Brits thought conquering India was a good idea in the first place. Read more
Adam Bernstein, Washington Post: A predictable patchwork of forbidden romance, English arrogance, a gun given as a gift, suicide, corruption, deception, rising Indian nationalism and a short-lived chase through the jungle. Read more