Reviews provided by RottenTomatoes
Bruce Newman, San Jose Mercury News: One of the most refreshing things about this movie is the way it gives free reign to the sort of freewheeling debate that actually rages in some barbershops over what are accepted orthodoxies right outside the door. Read more
Ty Burr, Boston Globe: A broad, very funny, unexpectedly graceful comedy of character and community. Read more
John Monaghan, Detroit Free Press: This feature debut from Tim Story would have been much better had it proceeded on a much smaller scale, with fewer barbers and more time to develop the relationships between them. Read more
Connie Ogle, Miami Herald: Ice Cube, as usual, is an appealing presence, but the rest of the cast shines as well. Read more
Richard Roeper, Ebert & Roeper: A flat-out hilarious ensemble comedy that probably made me laugh out loud more than any other movie this year. Read more
Susan Stark, Detroit News: Entertains by providing good, lively company. Read more
Michael Wilmington, Chicago Tribune: An entertaining, surprisingly well-written and often rowdily amusing picture. Read more
A.O. Scott, New York Times: The movie's quiet affirmation of neighborhood values gives it an honest, lived-in glow. Read more
Tom Keogh, Seattle Times: Very funny, and remarkably mature, retro-1970s ensemble comedy. Read more
David Germain, Associated Press: Barbershop is a cozy place to hang out for a while, even if you don't need a little off the sides. Read more
Kevin Thomas, Los Angeles Times: As warm as it is wise, deftly setting off uproarious humor with an underlying seriousness that sneaks up on the viewer, providing an experience that is richer than anticipated. Read more
Ted Shen, Chicago Reader: Some of the verbal jousts are hot, and a Laurel and Hardy routine involving a stolen ATM is fitfully hilarious, but this reminds me of a pilot for a cable sitcom. Read more
Eric Harrison, Houston Chronicle: By far the most mature film to come down the pike in which the name 'Cube' appears more than once in the credits. Read more
Lisa Schwarzbaum, Entertainment Weekly: Reassuring, retro uplifter. Read more
Ray Conlogue, Globe and Mail: The characters are engaging and the story has a bustling richness. Read more
Chris Vognar, Dallas Morning News: Uneven at times, Barbershop wins you over through random moments of vitality and joy. Read more
Ernest Hardy, L.A. Weekly: Despite the fact that you can see every plot twist a mile off, director Tim Story keeps the script by Mark Brown, Don D. Scott and Marshall Todd rollicking with a jazzy spontaneity. Read more
Jan Stuart, Newsday: Amid the new populist comedies that underscore the importance of family tradition and familial community, one would be hard-pressed to find a movie with a bigger, fatter heart than Barbershop. Read more
Andrew Sarris, New York Observer: The movie's heart is in the right place, which generates enough warmth to make one root for it. Read more
Roger Ebert, Chicago Sun-Times: If nothing significant gets settled in the rambling barbershop conversations, at least many issues are aired, and by the end, in classic sitcom fashion, all problems have been solved. Read more
Charles Taylor, Salon.com: What makes Barbershop so likable, with all its flaws, is that it has none of the pushiness and decibel volume of most contemporary comedies. Read more
Mick LaSalle, San Francisco Chronicle: A sloppy but likable movie. Read more
Daphne Gordon, Toronto Star: As a slapstick adventure, Barbershop is unfunny and unoriginal. But as a character-driven drama, Barbershop works well, with its quirky, sweet characters and authentic dialogue. Read more
Time Out: Perhaps because it promotes traditional values - respect women, crime doesn't pay, family comes first - the film shines in those rare scenes when it plays with received wisdom. Read more
Ed Park, Village Voice: The premise of Barbershop ... is as hackneyed as they come, but the overall mood is less cynical than affectionate. Read more
Stephen Hunter, Washington Post: It's funny as hell. Read more