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Art of the Movies
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Reviews provided by RottenTomatoes
Lawrence Van Gelder, New York Times: A film with enough intellectual meat on its stylish bones to give more adventurous moviegoers something to chew on afterward. Read more
Jonathan Rosenbaum, Chicago Reader: Even if the script (written by the director and Mateo Gil) and direction are patchy, the obsessive theme is gripping. Read more
Jeff Millar, Houston Chronicle: If you're the type who doesn't mind jigsaw puzzles unassembling themselves as you assemble them, if you enjoy enigmas and don't need explanations, the film just might work for you. Read more
Lisa Schwarzbaum, Entertainment Weekly: Read more
Liam Lacey, Globe and Mail: For adventurous filmgoers, though, this Spanish import offers something off the beaten path and a chance to play the coffee-shop game: Could This Screenplay Be Saved? Read more
James Berardinelli, ReelViews: While it will not get the kind of wide release necessary to make a big splash in this country, those who see it will not quickly forget the experience. Read more
Peter Stack, San Francisco Chronicle: The cumbersome, fantastical plot twists of its last 40 minutes render the whole thing unfathomable. Read more
Time Out: This is so smart, mischievous and stylish, you'll instantly want to see it again. Read more
Gary Dauphin, Village Voice: Amenabar may drop the ball with a surprise happy ending, but the real shock is that when Cesar finally opens his eyes, you feel he's earned it. Read more