Wir sind die Nacht 2010

Jeannette Catsoulis, New York Times: A love triangle with fangs but no bite, the German import "We Are the Night" is mostly infatuated with its own stylish excesses. Read more

Ronnie Scheib, Variety: Stylishly reinvents juvenile pulp with flashy pyrotechnics. Read more

Mark Holcomb, Village Voice: Gansel compensates for the story's lack of emotional heft with rousing chase scenes and impressive, near-poetic CGI set pieces, and works in a sly suggestion that vampirism is the ultimate expression of consumerist indulgence. Read more