Critics score:
Reviews provided by RottenTomatoes
Bosley Crowther, New York Times: If Jean-Luc Godard isn't careful he is going to shoot his way right out of the avant-garde -- out of the idolatrous affection of all those cinema buffs who go for movies that are formless and obscure. Read more
Jonathan Rosenbaum, Chicago Reader: This is still Godard's view of life in France in 1964, and one of his most sociological films, as well as one of his most formally accomplished. Read more
Calum Marsh, Village Voice: An extraordinarily rich and provocative picture in its own right. Read more