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Stephen Holden, New York Times: Exquisite but peculiar. Read more
Keith Uhlich, Time Out: In De Oliveira's world, time and space are infinitely malleable -- the past is present and the present past. Read more
David Jenkins, Time Out: Sly, understated and ruthlessly focused, the functional yet elegant photography by Sabine Lancelin enhances the film's ironic kick. Read more
Nick Pinkerton, Village Voice: Though Loos downplayed her talent, later mock-sulking that her "infantile cruelty" kept her from being a "real novelist," the superficial Blonde she begat is profound. Read more