Critics score:
Reviews provided by RottenTomatoes
David DeWitt, New York Times: The scenes with Karl Markovics, as Freud, are the lingering appeal of this artfully composed film, framed with aesthetic care and scored with Mahler's music... Read more
Ty Burr, Boston Globe: The questions it doesn't quite ask linger when the lights come up. Read more
Eric Hynes, Village Voice: [An] eccentric and expressionistic reverie on love, loss, and the birth of modern marriage. Read more