La notte 1961

Bosley Crowther, New York Times: Too sensitive and subtle for apt description are his pictorial fashionings of a social atmosphere, a rarefied intellectual climate, a psychologically stultifying milieu...Even boredom is made interesting by him. Read more

Jonathan Rosenbaum, Chicago Reader: Whatever one's occasional misgivings, this feature comes from what is widely considered to be Antonioni's richest period, and evidence of his stunning mastery is available throughout. Read more

Time Out: It's impossible to discern the relevance of this kind of film-making, which is doubtless why nobody (including Antonioni) practises it any more. Read more