Ansikte mot ansikte 1976

Vincent Canby, New York Times: Mr. Bergman is more mysterious, more haunting, more contradictory than ever, though the style of the film has never been more precise, clear, levelheaded. Read more

Jonathan Rosenbaum, Chicago Reader: Ingmar Bergman at his most painful, pretentious, and empty. Read more

Roger Ebert, Chicago Sun-Times: Bergman has put in the Freudian asides and fireworks for his own reasons but great director that he is, he hasn't in the process stood between Liv Ullmann and the camera. Read more

Jay Cocks, TIME Magazine: This is a strange, stormy period for Ingmar Bergman. Read more